Le monologue d’entrée de rôle dans les tragédies de Sénèque : de l’animation du personnage à la rencontre

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2020

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Persée

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MESR

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Copyright PERSEE 2003-2024. Works reproduced on the PERSEE website are protected by the general rules of the Code of Intellectual Property. For strictly private, scientific or teaching purposes excluding all commercial use, reproduction and communication to the public of this document is permitted on condition that its origin and copyright are clearly mentionned.



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Maxime Pierre, « Le monologue d’entrée de rôle dans les tragédies de Sénèque : de l’animation du personnage à la rencontre », Vita Latina (documents), ID : 10.3406/vita.2020.2035


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Entrance monologues are one of the most striking features of the characters in Seneca’s tragedy that we don’t find in his Attic models. Often seen as a psychological parenthesis, this specificity is supposed to create a break in the dramatic action. However, if we go back to the text of those scenes, we can understand them as a theatrical device : they allow the entering character to give life to his mask and prepare his meeting with other characters. Entrance monologues are linked with physical descriptions and create a dramatic tension at every new entrance of a character in the play.

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