25 juillet 2014
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Fred Myers, « Paintings, Publics, and Protocols: the early paintings from Papunya », Les actes de colloques du musée du quai Branly Jacques Chirac, ID : 10.4000/actesbranly.524
I am taking the occasion of the musée du quai Branly’s very recent exhibition of early Papunya paintings to talk today about the complex epistemological and political issues instantiated in the history of Papunya painting, raised by the contact between distinctive regimes of knowledge and value. It is partly a personal history and partly a story that appropriately enough, cannot be extricated from the web of relationships that define the representation and contemporary production of Aborigina...