Specters of brazilian history in the early photographic work of Mario Cravo Neto

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5 octobre 2017

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Artelogie

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Ce document est lié à :
info:eu-repo/semantics/reference/issn/2115-6395

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https://creativecommons.org/licenses/by-nc-nd/4.0/ , info:eu-repo/semantics/openAccess




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Alice Heeren, « Specters of brazilian history in the early photographic work of Mario Cravo Neto », Artelogie, ID : 10.4000/artelogie.1158


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Mario Cravo Neto is one of the most important contemporary photographers in Brazil. His works show a complex marriage of aesthetic lyricism, sculptural monumentality, and afro-Brazilian themes. In this paper, I am interested in comparisons that have been resisted by other scholars of Cravo Neto’s work. Particularly, I focus on the way his photographs work against the documentary and ethnographic tradition in Brazil. By looking at a series of earlier works by Cravo Neto, I will argue that the legacy of the Black Atlantic archive is an undercurrent in the artist’s work that at times transpires in eloquent ways.

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