Compositio and the Materiality of Architecture in the Italian Renaissance

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2 novembre 2009

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Ce document est lié à :
info:eu-repo/semantics/reference/issn/0292-0980

Ce document est lié à :
info:eu-repo/semantics/reference/issn/1969-6310

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Alina Payne, « Compositio and the Materiality of Architecture in the Italian Renaissance », Annuaire de l’École pratique des hautes études. Section des sciences historiques et philologiques, ID : 10.4000/ashp.725


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The sources which Renaissance architects used to develop their architectural compositions were not strictly architectural but were drawn from a wider visual field, and often involved heterogeneous material. This was so because the ancient models, imperfectly preserved as amputated fragments and often only apprehensible through a great effort of the imagination, needed to be fleshed out by other means: by architectural representations on ancient coins, plaquettes, sculptural reliefs, cameos et...

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