2 novembre 2009
Annuaire de l’École pratique des hautes études. Section des sciences historiques et philologiques
Ce document est lié à :
info:eu-repo/semantics/reference/issn/0292-0980
Ce document est lié à :
info:eu-repo/semantics/reference/issn/1969-6310
All rights reserved , info:eu-repo/semantics/openAccess
Alina Payne, « Compositio and the Materiality of Architecture in the Italian Renaissance », Annuaire de l’École pratique des hautes études. Section des sciences historiques et philologiques, ID : 10.4000/ashp.725
The sources which Renaissance architects used to develop their architectural compositions were not strictly architectural but were drawn from a wider visual field, and often involved heterogeneous material. This was so because the ancient models, imperfectly preserved as amputated fragments and often only apprehensible through a great effort of the imagination, needed to be fleshed out by other means: by architectural representations on ancient coins, plaquettes, sculptural reliefs, cameos et...