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14 décembre 2022
- doi: 10.4000/books.aaccademia.12065
- isbn: 9791255000174
- eisbn: 9791255000198
https://creativecommons.org/licenses/by-nc-nd/4.0/ , info:eu-repo/semantics/openAccess
Mots-clés
rievocazione storica storia della danza e dell'arte performance teatrale rievocazione come strategia di appropriazione reconstitution histoire de la danse et de l'art représentation théâtrale la reconstitution comme stratégie d'appropriation reenactment history of dance and art theatrical performance reenactment as a strategy of appropriation PER011000 Theater ANSujets proches
Competence Mudra Archeology archeologyCiter ce document
Aurore Després, « Five Conceptual Actions for a Sensitive Archaeology of the Gesture in Dominique Brun’s Sacre#2 », Accademia University Press, ID : 10.4000/books.aaccademia.12065
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Résumé
This chapter aims to formulate five conceptual actions that I have implemented during my research by proposing a “sensitive archaeology of gestures” in the solo The Chosen One danced by Julie Salgues in Dominique Brun’s Sacre#2 (2014), a re-construction of Vaslav Nijinsky’s The Rite of Spring (1913). I aim to assert an epistemic position with respect to the relation to time for each of these conceptual actions. More specifically, my approach considers the gesture and its temporality not only ...