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24 novembre 2020
- doi: 10.4000/books.apu.15011
- isbn: 9782848322858
- eisbn: 9782848324302
https://www.openedition.org/12554 , info:eu-repo/semantics/restrictedAccess
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critique interprétation cinéma cinéma postmoderne cinéaste Indiewood actes de congrés review cinema postmodern cinema Indiewood Art ART000000 PER004010 A APFXSujets proches
Feature films--History and criticism Movies Films Moving-pictures CinemaCiter ce document
Céline Murillo, « High angles, souls, spirits and bodies: a filmic hike in Jim Jarmusch’s cinema », Artois Presses Université, ID : 10.4000/books.apu.15011
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Résumé
Jim Jarmusch’s films challenge the rules of the classical Hollywood style, they remove the importance of storytelling, and they reject the primary role of causality. Then how are his films bound together, how do they acquire a measure of consistency? They do so by a system of repetition that affects all the levels of the filmic text for one individual film, but that also occurs between films. Repetition pushes away narration, while it creates a semiotic system that allows the viewer to find h...