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4 avril 2013
- doi: 10.4000/books.ifra.608
- isbn: 9789782015389
- eisbn: 9791092312133
https://www.openedition.org/12554 , info:eu-repo/semantics/openAccess
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Bode Omojola, « 1. Introduction », Institut français de recherche en Afrique, ID : 10.4000/books.ifra.608
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Although a considerable amount of research has been carried out on traditional African music, contemporary musical idioms in Africa have received limited attention by scholars. It is only in recent times that scholars began to accept the fact that, while the preservation and documentation of traditional forms are laudable research projects, new, modern musical practices are also worthy of attention. The emergence of new musical idioms in Nigeria should not be seen as a novel phenomenon as cha...