“The Whole Island is a Jail and We the Warders”: States of Exception in Tasmanian Historical Fiction
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6 janvier 2020
- doi: 10.4000/ces.1076
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Mots-clés
Agamben (Giorgio) Tasmanian literature Van Diemen’s Land state of exception historical romanceSujets proches
Rock-tombs Graves Sepulchers Vaults (Sepulchral) Tombstones Funerary monuments Graves Memorial tablets Tablets, Memorial Funeral monuments Gravestones Land Land utilization Utilization of land Use of land Memorial gardens (Cemeteries) Necropoles Churchyards Burial grounds Graves Necropoli Necropolises Memory gardens (Cemeteries) Graveyards Burying-grounds Necropoleis Memorial parks (Cemeteries) Graves Burial customs Interment Burying-groundsCiter ce document
Ellen Turner, « “The Whole Island is a Jail and We the Warders”: States of Exception in Tasmanian Historical Fiction », Commonwealth Essays and Studies, ID : 10.4000/ces.1076
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Looking at two historical romances by women writers, Kathleen Graves’ Exile: A Tale of Old Tasmania (1945) and Isabel Dick’s Wild Orchard (1946), this article seeks to examine narratives of an early nineteenth-century Van Diemen’s Land that are apparently at odds with the 1940s Tasmania it was to become. Drawing on Giorgio Agamben’s “state of exception” as the theoretical underpinnings for this essay, I read both the nineteenth- and twentieth-century island as a site for the proliferation of bare life whereby the whole of society finds itself defined by its prison-like capacity to strip individuals of their right to life. In telling these stories in which not all lives are equal, it seems that Dick and Graves are attempting to situate their narratives firmly in the past where they cannot contaminate the present, and indeed, future of their island.