“All that Romantic Taxidermy”: Derek Walcott’s Caribbean Bestiary

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21 juillet 2021

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Commonwealth Essays and Studies

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Ce document est lié à :
info:eu-repo/semantics/reference/issn/2270-0633

Ce document est lié à :
info:eu-repo/semantics/reference/issn/2534-6695

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https://creativecommons.org/licenses/by-nc-nd/4.0/ , info:eu-repo/semantics/openAccess

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Poems Field guides Keys (Identification guides) Identification guides Work, Method of Industry (Psychology) Method of work Poetry--Philosophy Poems Verses (Poetry) Forensic identification Article Frenchmen (French people) Concept formation

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Erik Martiny, « “All that Romantic Taxidermy”: Derek Walcott’s Caribbean Bestiary », Commonwealth Essays and Studies, ID : 10.4000/ces.5508

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This article examines the genre of the bestiary poem in the context of Derek Walcott’s work, using the theories of the French philosopher Michel Pêcheux to explore the ways in which the related concepts of identification, counter-identification and dis-identification interact in Walcott’s poetry to complex and sometimes ambiguous effect.

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