The mother and the partisan: a representation of peace and war in the Czechoslovak Communist Party press (1964)
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11 octobre 2022
- doi: 10.4000/cliowgh.974
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Description and travel--Views Pictures Iconography Hostilities Conflict, Armed (War) Wars Armed conflict (War) Fighting Parliamentary government Representation Self-government Political representation Political party press Party press Pictorial representations Iconography Coexistence, Peaceful Peaceful coexistence Iconography Statuettes Religious images Images and idols Pattern Model Western art (Western countries) Fine arts Iconography Arts, Fine Art, Occidental Arts, Visual Visual arts Occidental art Art, Visual Art, Western (Western countries)Citer ce document
Michel Christian, « The mother and the partisan: a representation of peace and war in the Czechoslovak Communist Party press (1964) », Clio, ID : 10.4000/cliowgh.974
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Illustration published in the review Život strany in 1964 commemorating the 1944 Slovak national uprising (Source: Národní Archiv, knihovna – Knih. A collection, sgin. C 532). Communist iconography was intended to incarnate and encourage the break with traditional representations of gender. Yet the latter gradually reappeared there – under the guise, for example, of the female agricultural worker and/or mother. But in order to grasp how and to what extent these representations persisted, it ...