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14 décembre 2012
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Bertrand Gauguet, « Art and Internet », Critique d’art, ID : 10.4000/critiquedart.1232
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With the appearance of digitised images and the spreading use of Internet at the turn of the 1990s, societies in the West experienced a radical shift in the norms of storing, processing and transforming data, but also in accessibility, thanks to the downloading, exchange and sharing of files (Peer to Peer). The debate over Google Print in 2005 was indeed highly instructive in this respect, and showed Europe trying to react to the imminent danger of digitisation becoming the exclusive decision...