Realisms — Between Revolution and Reaction?

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Date

14 décembre 2012

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Critique d’art

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Ce document est lié à :
info:eu-repo/semantics/reference/issn/1246-8258

Ce document est lié à :
info:eu-repo/semantics/reference/issn/2265-9404

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OpenEdition Journals

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OpenEdition

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All rights reserved , info:eu-repo/semantics/openAccess

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Oil painting Paintings Painting, Primitive Mouse House mice Mus musculus House mouse Art, Representational Figuration Representational art Art, Figurative

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Sarah Wilson, « Realisms — Between Revolution and Reaction? », Critique d’art, ID : 10.4000/critiquedart.2245

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Bernard Rancillac’s Le Regard idéologique is a tremendously important publication. While the artist, whose well-known paintings can be violently political, deliberately sardonic –or pure Mickey Mouse– comes across as shy and deliberately self-deprecating, he is the only artist associated with the Figuration narrative grouping to have attempted to investigate its origins and explore its context. Attempts to market the movement internationally have conspicuously failed. Bernard Blistène’s rathe...

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