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7 juin 2018
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Feature films--History and criticism Movies Films Moving-pictures CinemaCiter ce document
Erik Bullot, « Film and its Double », Critique d’art, ID : 10.4000/critiquedart.29359
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Résumé
Overture Pierre Sorlin wonders: “If you change all the parts of your car one by one, is the vehicle you drive still the same as the one you bought?” Can a medium remain itself despite its technological mutations? Ever since the appearance of digital technology, cinema has undergone a radical metamorphosis, which has modified its technical modalities and its definition. However, we continue to call cinema an apparatus that is very different from the more or less stable form that it has had for...