14 décembre 2012
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Damien Sausset, « Private Collections », Critique d’art, ID : 10.4000/critiquedart.570
As a glamour topic, if ever there was, collectors fascinate and intrigue. Yet all-encompassing approaches to them are rare, questioning, as they do, not the luxury that swaddles these people, but rather what underpins a contemporary art collection, and the role of these art world players. A series of recently published books have all, in differing degrees, attempted to understand this emblematic phenomenon in our culture. Collecting modern and, above all, contemporary art has not only become ...