3 décembre 2021
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John J. Curley, « The Networked Art Object of the Cold War », Critique d’art, ID : 10.4000/critiquedart.85142
Two recent book projects capture the politics of interpreting American art during the Cold War: the two volume Hot Art, Cold War which anthologizes European critical responses to post-World War II American art and Parapolitics: Cultural Freedom and the Cold War that considers the way covert American funding supported a global network of publishing and exhibition ventures. Gerald Laing’s painting Souvenir (of the Cuban Missile Crisis Oct 16-28 1962) from 1962 – while not mentioned in either pr...