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5 avril 2019
- doi: 10.4000/ebc.6113
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https://creativecommons.org/licenses/by-nc-nd/4.0/ , info:eu-repo/semantics/openAccess
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Élisabeth Angel-Perez et al., « Introduction », Études britanniques contemporaines, ID : 10.4000/ebc.6113
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In contemporary theatre it seems that things are no longer in the margins but at the center of the stage. Contemporary dramaturgies’ concern with the notion of identity, their sustained experimentations with and questioning of the traditional definition of the theatrical character have led to a renegotiation of the relationship between the animate and inanimate on the stage, and to a major re-appraisal of the role of things. While the autonomy and even integrity of the theatrical character is...