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11 avril 2019
- doi: 10.4000/ebc.7053
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info:eu-repo/semantics/reference/issn/1168-4917
Ce document est lié à :
info:eu-repo/semantics/reference/issn/2271-5444
https://creativecommons.org/licenses/by-nc-nd/4.0/ , info:eu-repo/semantics/openAccess
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Stage Dramatics Histrionics Theatre Professional theater Parliamentary government Representation Self-government Political representation Oil painting Paintings Painting, PrimitiveCiter ce document
Julie Bénard, « David Lloyd, Beckett’s Thing: Painting and Theatre », Études britanniques contemporaines, ID : 10.4000/ebc.7053
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In Beckett’s Thing: Theatre and Painting (2016), David Lloyd sheds new light on Samuel Beckett’s aesthetic ties to painting, which the writer himself describes in his essays about art, reconsidering the relationship between the subject behind representation and the object of representation. Starting from the premise that the object won’t be laid bare as long as the subject’s possessive gaze and instrumental way to represent it prevails, Lloyd does away with the consensual and somewhat simplis...