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20 novembre 2023
- doi: 10.4000/filmj.313
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info:eu-repo/semantics/reference/issn/2556-4161
https://creativecommons.org/licenses/by-nc/4.0/ , info:eu-repo/semantics/openAccess
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Jarmusch (Jim) Suture Theory Lacan ŽižekSujets proches
Photographic film Films Feature films--History and criticism Movies Films Moving-pictures Cinema Films Film strips Slidefilms Films Film slidesCiter ce document
Céline Murillo, « No Suture: Screen Borders in Jim Jarmusch’s Films », Film journal, ID : 10.4000/filmj.313
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Introduction When we watch a film, do we mentally cross the screen border, like the heroine in The Purple Rose of Cairo (Woody Allen, 1985), and then remain in a closed fictional space until the end titles tell us to leave our seats, or remain conscious of the film being projected on the screen as a flat surface, with no other world beyond? For many of us the first case would prove we are watching a good film, while the second would mean we are watching a bad one. However, there are films wh...