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4 novembre 2019
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info:eu-repo/semantics/reference/issn/2110-6134
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Results of analysis Analysis results 1980s Eighties (Twentieth century decade) 80s (Twentieth century decade) Sayings Ana Talking Talking Impoverished people Disadvantaged, Economically Low-income people Poor people Pauperism Poor--Economic conditions Poor, The Economically disadvantaged Serious music Musical compositions Art music Musical works Classical music Western music (Western countries) Art music, Western Western art music Life--Philosophy Jazz octets Double bass and piano music (Jazz) Jazz--United States Accordion and piano music (Jazz) Jazz duets Clarinet and piano music (Jazz) Jazz quintets Xylophone and piano music (Jazz) Jazz music Jazz ensembles Jazz sextets Jive (Music) Wind instrument and piano music (Jazz) Jazz nonets Cornet and piano music (Jazz) Jazz quartets Jazz trios Jazz septets Saxophone and piano music (Jazz) Vibraphone and piano music (Jazz) Interest and usury Talking Songwriters DorsumCiter ce document
Ben Earle, « Camilla Poesio, Tutto è ritmo, tutto è swing. Il Jazz, il fascismo e la società italiana », Transposition, ID : 10.4000/transposition.2908
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Academic interest in the musical life of fascist Italy has never been strong, even among Italians. Back in the 1980s, Richard Taruskin thought he could explain the uninspiring nature of the topic, as he saw it, by reference to the poor quality of twentieth-century Italian composition. He literally did not know what he was talking about. How could he, when the music even of one of the most internationally successful Italian composers of the fascist ventennio, Alfredo Casella, remained largely ...