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30 juin 2022
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https://creativecommons.org/licenses/by-sa/4.0/ , info:eu-repo/semantics/openAccess
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Recorded sound archives Hours (Time) Acoustics Personal identity CommunityCiter ce document
Elodie A. Roy, « Jonathan Thomas, La propagande par le disque: Jean-Marie Le Pen, éditeur phonographique », Transposition, ID : 10.4000/transposition.6734
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Résumé
From its inception in the late nineteenth century, recorded sound and its meanings have been continuously negotiated and shaped by individuals, communities and institutions (including the first state sound archives) to serve a wide range of social and political purposes. At the same time, the advent of recording technologies has progressively contributed to dynamically define and redefine the contours of social experience, subtly anticipating novel relationships to the self, to others, and to...