15 octobre 2012
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Ce document est lié à :
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Sheila Whiteley, « Countercultures: Music, Theory and Scenes », Volume !, ID : 10.4000/volume.3572
Introduction Our first edition of Counterculture(s) and Popular Music offers readers the opportunity to explore its history and how it has been theorised. It also provides an insight into the ways in which it emerged and took shape internationally in scenes that embraced its challenge to the dominant culture. In December, our sister edition, “Utopias, Dystopias, Anarchy” explores utopias and dystopias and sonic anarchy and freaks, focussing on the ways in which the 1960s counterculture embrac...