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30 avril 2024
- doi: 10.58079/10s25
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« Forgeries, Fakes and Counterfeits in Print Culture: Texts, Editions, Copies », Calenda, le calendrier des lettres, des sciences humaines et des sciences sociales, ID : 10.58079/10s25
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The printed book, for centuries the most powerful medium for the circulation of ideas, is particularly central to this discourse, and it is no surprise that readers of all times as well as specialists are constantly challenged by the wealth of literary forgeries, fake imprints, fake authors, and material counterfeits. We are far, however, from an established definition of these notions, especially in their differences and overlaps. This two-day symposium aims to explore the topic at three different levels. Texts addresses textual forgeries and manipulations of authorship; editions concentrates on false imprints, ‘refreshed’ title-pages, and editorial piracy, including that of written and illustrated paratext; copies looks into the alteration of individual specimens of an edition.