Appel à contribution : « Unruly Iconographies? Examining the Unexpected in Medieval Art », Princeton, Princeton University, 9 novembre 2024, date limite le 1er avril 2024
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20 mars 2024
- doi: 10.58079/w1r8
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info:eu-repo/semantics/reference/issn/2268-6142
info:eu-repo/semantics/openAccess
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Description and travel--Views Pictures Iconography Odontography Odontology Pictorial representations Iconography Iconography Statuettes Religious images Images and idols Ikons Eikons Eastern riding Riding, English Equestrianism English horsemanship Eastern horsemanship Equitation English riding Horseback riding Riding, Eastern Riding Horse riding Date Coaching Riding Western art (Western countries) Fine arts Iconography Arts, Fine Art, Occidental Arts, Visual Visual arts Occidental art Art, Visual Art, Western (Western countries)Citer ce document
Florence Larcher, « Appel à contribution : « Unruly Iconographies? Examining the Unexpected in Medieval Art », Princeton, Princeton University, 9 novembre 2024, date limite le 1er avril 2024 », Centre d’histoire de l’art de la Renaissance, ID : 10.58079/w1r8
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Modern study of medieval iconography inevitably entails grappling with exceptions and the rupture of expectations. No sooner might scholars settle on an expected visual formula—Cain killing Abel with his farmer’s hoe, Saint George riding his snowy steed—than we’re pulled up by an image that flouts those rules. In the fifteenth-century Alba Bible, Cain sinks his teeth directly into his brother’s neck, arguably in reference to Jewish exegesis, while in some Byzantine and post-Byzantine icons o...