Archaeological Contexts of Inscriptions in the Private Sphere: The Mosaic Inscriptions of a villa rustica in Skala/Cephalonia. Medieval Worlds|Uses of the Past in Times of Transition: Forgetting, Using and Discrediting the Past & Approaches to Global Epigraphy, I - Volume 10. 2019 medieval worlds Volume 10. 2019|

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The article deals with inscriptions on the floor mosaics of a residence in Skala on the island of Cephalonia. The archaeological context of the inscriptions, their representation and legibility as well as their contents will be addressed. In at least two rooms, inscriptions have been combined with depictions that give insights into the beliefs of the residents. One shows the personification of Envy, depicted as a damnatus ad bestias, which was common in amphitheatrical scenes on mosaics in imperial times, another a sacrifice of three animals (trittoia), which is only seldom depicted and also rarely documented in epigraphy and literature; to date, the picture in the villa of Skala together with a mention in a play by Aristophanes are the only sources for this sacrifice in the private realm of a house. Moreover, the depiction probably refers to a real sacrifice made on the outskirts of the villa. The commissioner of the inscribed mosaics was certainly the homeowner, who is recorded by his name Krateros in two mosaic inscriptions in the house. He was probably identical with Lucius Pompeius Krateros Cassianus, a member of a third-century-AD elite family from Elis known from inscriptions found in Olympia. Although both the figurative representations on the mosaic floors and the length of the inscriptions are unusual, they have received too little attention so far. The nearest parallels are to be found in the mosaic art of Patras, only a short distance away across the sea, where a whole series of comparable mosaics came to light, especially during emergency excavations. The mixture of »Greek« and »Roman« in the depictions of the mosaics in the villa in Skala could be explained by a mosaicists’ workshop from Patras, a Roman colony founded by Augustus, where such depictions might have developed.