ZOOMORPHIC FIGURES IN THE POST-PALAEOLITHIC ROCK ART OF FRANCE OR PAST SOCIETIES AS HYBRID COMMUNITIES

Fiche du document

Date

2021

Type de document
Périmètre
Langue
Identifiants
Collection

Archives ouvertes

Licence

info:eu-repo/semantics/OpenAccess



Citer ce document

Claudia Defrasne, « ZOOMORPHIC FIGURES IN THE POST-PALAEOLITHIC ROCK ART OF FRANCE OR PAST SOCIETIES AS HYBRID COMMUNITIES », HAL-SHS : archéologie, ID : 10670/1.aybh16


Métriques


Partage / Export

Résumé En

To study zoomorphic figures in prehistoric graphic representations is to study the relationship between human and non-human animals during Prehistory. The presence of these figures in the system of graphic representations testifies to their essential role as social agents and emphasisesthe importance of considering non-human animals and the non-human in general when studying and interpreting past societies. We are not only dealing with human societies but with hybrid communities. Engraved or painted animal species and/or types of interactions with human figures are different for each culture or chronological period. Here, the focus is on three Neolithic imageries, the engravings of the Armorican megaliths and of the Bego area and the schematic art from southern France and the western Alps, and one Iron Age imagery from the Maurienne valley, Savoie.

document thumbnail

Par les mêmes auteurs

Sur les mêmes sujets

Sur les mêmes disciplines

Exporter en