Cinégénie de la terreur : d’Operación Ogro à El asesinato de Carrero Blanco

Salle de cinéma Spectateurs Public Auditoire Assistance (public) Visiteurs Fréquentation Audience Activités terroristes Actes de violence Actes terroristes Terrorisme international Idéologie totalitaire Système totalitaire Statocratie Dictature États totalitaires Régime totalitaire Régimes totalitaires État totalitaire Systèmes totalitaires Démocratie représentative Nouvelles démocraties Self-government Gouvernement démocratique Régime démocratique Information de presse Nouvelles (journalisme) Informations Autocratie Tyrannie Dictature Absolutisme Pouvoir personnel Tyrans Gouvernement absolu Septième art Films Oeuvres cinématographiques Films de cinéma Films (oeuvres cinématographiques) Art cinématographique 7e art Cinématographie Beaux-arts Arts plastiques Oeuvres d'art Arts visuels Sciences pures Sciences exactes Sciences fondamentales Dijon République française Royaume de France Royaume de France (987-1791)

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Bénédicte Brémard, « Cinégénie de la terreur : d’Operación Ogro à El asesinato de Carrero Blanco », HAL-SHS : sciences de l'information, de la communication et des bibliothèques, ID : 10670/1.bmj2rm

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Cinégénie de la terreur : d’Operación Ogro à El asesinato de Carrero Blanco

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