Desde Sevilla y Talavera de la Reina hacia Lima, la difusión de un lenguaje ornamental reflejado en azulejos (1600-1650)
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13 mars 2017
- handle: 10670/1.d68vsd
- halshs: halshs-03500561
Mots-clés
XVIIe siècle azulejo Sevilla TalaveraSujets proches
Juan Zhong ruan Chung juan Syllabi Compends Compendiums Kingdom (Monarchy) Family Family structure Families--Social aspects Families--Social conditions Family life Structure, Family Family relationships Relationships, Family Expressive behavior Engravings Siderography Copper engraving Line-engraving Steel-engraving Gases--Diffusion Liquids--Diffusion Primary sources Forerunners Primary sources Biography--Ancestry Relations with family Biography--Descendants Biography--Family Ancestry broadcastingCiter ce document
Céline Ventura Teixeira, « Desde Sevilla y Talavera de la Reina hacia Lima, la difusión de un lenguaje ornamental reflejado en azulejos (1600-1650) », HAL-SHS : histoire de l'art, ID : 10670/1.d68vsd
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Résumé
Ornaments of various kinds were constantly shipped between centres of the Catholic Monarchy empire. The close links existing between Seville, Talavera de la Reina, and Lima are materialized through the migration of painters and tiles to the Viceroyalty of Peru and the diffusion of original aesthetic compendiums that were adapted and interpreted in new ways. The engravings were relevant means of expression and considered sources of inspiration for new models. If the works created by the workshop belonging to the Valladares family of Sevilla represent a creative paradigm, this did not prevent the formation of a repertoire associating Iberian models with local sensibility personified in the figure of the tile maker Juan del Corral.