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info:eu-repo/semantics/altIdentifier/doi/10.4000/map.1845
Anne-Marie Paquet-Deyris, « John Huston's Wise Blood (1980) : On Southern Prophets and Con Men », HAL-SHS : linguistique, ID : 10.4000/map.1845
Literally framing "Hazel the desperate believer" (Tarantino, 15) in Wise Blood, John Huston inscribes on screen with surprising restraint O'Connor's Gothic South of religious hysteria. His documentary-like but also paranoid capture retains the same strange and humorous quality as that of the Catholic author of the source novel. How then is it captured on screen by a self-proclaimed non-believer ? And which kind of strange unenlightened prophets and con men does the filmic narrative bring to the fore ?