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- handle: 10670/1.ntqh2h
- hal: hal-03006781
- doi: 10.12977/ocula2020-40
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info:eu-repo/semantics/altIdentifier/doi/10.12977/ocula2020-40
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Mots-clés
design epistemology of design design faculty design act design of the living design of the anthropocene épistémologie du design faculté de design acte de design design des vivants design de l'anthropocèneSujets proches
Frontier troubles Family history Family trees Genealogies Prehistoric antiquities Prehistory Prehistoric archaeology Celestial horizon Apparent horizon Real horizon Sensible horizon Stage Dramatics Histrionics Theatre Professional theater Steps Stairsteps Speciation (Biology) Scientific research Science research Science--Research Socratic method Interrogation Service of process Service of papers Abuse of process Process Birth Administration Early man Prehistoric human beings Cavemen (Prehistoric peoples) Prehistoric humans Man, Prehistoric Prehistory Prehistoric archaeology Life--Philosophy Birth Obstetric labor Theory of knowledge Epistemology Annals Genealogy--Handbooks, manuals, etc Genealogical research Family trees Genealogy--Sources Genealogy--History Family history (Genealogy) Genealogy--Research Ancestry Descent Pedigrees Genealogy--Methodology Human face Stage Drama, Modern Plays Drama--Philosophy Cultural sociology Culture--Social aspects Sociology of culture Concept formation Climatic changes--Environmental aspects Global climate changes Climate change Climatic change Climate variations Climate changes Global climatic changes Changes, Climatic Climatic variations Climatic fluctuations Birth Birthing Live birth Child birth Archeology Stage Histrionics Date of birth Biography--Birth archeologyCiter ce document
Alessandro Zinna, « Les conséquences du “quand”. Une archéologie du design : de la préhistoire à l'Anthropocène », HAL-SHS : histoire de l'art, ID : 10.12977/ocula2020-40
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Résumé
The questioning of design by the“when” gives here the opportunity to reconstruct the guiding lines of an archaeology of the discipline in four steps: the prehistory, where the problems of cultural design are presented; the history, from the birth of the culture of design depending on its practice and research; the present, characterised by the opening to social innovation; and, finally, the future, which poses design in the face of climate change and the instabilities of the Anthropocene. This genealogy, by reconstructing the key concepts of design, shows that, at each stage, the answers to the question“when is design” change according to a process that opposes already stabilized solutions to the innovation of new inventions. This leads us today, facing the horizon of the Anthropocene, to replace the human-centred design aiming at improving the habitability of the world and the living conditions of a single species, by the future living-centred design aiming at the stability of the world and the permanence of the network of life.