22 janvier 2024
info:eu-repo/semantics/restrictedAccess , https://creativecommons.org/licenses/by-nc-nd/4.0/
Marlé Hammond, « The Kiss in Egyptian Film Language of the 1940s », Diacritiques Éditions, ID : 10670/1.rrpn5h
In his classic essay “Tales of Sound and Fury”, Thomas Elsaesser discusses the importance of mise-en-scène within melodramatic films’ systems of signification. Sets, props, character positioning and camera angles are often invested with heightened symbolization reinforcing the thematic and emotional undercurrents of the narrative. This symbolization, I would argue, does not convey an alternative intended meaning, as it would in allegory, but rather punctuates the content of the dialogue and ...