Picturing tillage–The symbolic meaning of the ploughman in Buddhist Dunhuang murals compared with Christian Medieval iconography 敦煌與歐洲中古世紀基督教犁耕畫的象徵性 比較研
Fiche du document
Auteur
Date
2012
Type de document
Périmètre
Langue
Identifiants
- handle: 10670/1.t1f7q1
- hal: hal-01698919
Source
Collection
Organisation
Licence
http://creativecommons.org/licenses/by-nc/
Sujets proches
Description and travel--Views Pictures Iconography Prehistoric antiquities Prehistory Prehistoric archaeology Social science Sciences, Social Human sciences Social studies Behavioral sciences Pictorial representations Iconography Wall-painting Wall decoration Fresco painting Painting, Decorative Ceilings, Painted Painted ceilings Murals Early man Prehistoric human beings Cavemen (Prehistoric peoples) Prehistoric humans Man, Prehistoric Prehistory Prehistoric archaeology Iconography Statuettes Religious images Images and idols Far East East (Far East) Asia, East Asia, Eastern Eastern Asia West Turkestan Tūrān Turkestan Central Asia Soviet Central Asia Western art (Western countries) Fine arts Iconography Arts, Fine Art, Occidental Arts, Visual Visual arts Occidental art Art, Visual Art, Western (Western countries)Citer ce document
Eric Trombert, « Picturing tillage–The symbolic meaning of the ploughman in Buddhist Dunhuang murals compared with Christian Medieval iconography », HAL-SHS : histoire, ID : 10670/1.t1f7q1
Métriques
Partage / Export
Résumé
International audience