Integrating Immersive Technologies into the Contemporary Art Scene: Which Dramaturgical Paths? Intégrer les technologies immersives à la scène contemporaine : quelles voies dramaturgiques ?
Fiche du document
11 octobre 2022
- handle: 10670/1.zo0ltu
- hal: hal-04238628
- doi: 10.4000/recherchestravaux.5173
Ce document est lié à :
info:eu-repo/semantics/altIdentifier/doi/10.4000/recherchestravaux.5173
Sujets proches
Handwriting Chirography Conation Volition Cetanā Story-telling Telling of stories Show business Western art (Western countries) Fine arts Iconography Arts, Fine Art, Occidental Arts, Visual Visual arts Occidental art Art, Visual Art, Western (Western countries) Methods of analysis Analysis and chemistry Analytical methods Chemical analysis Analysis methods Analysis and examination Contemporary art ArtsCiter ce document
Julie Valero, « Intégrer les technologies immersives à la scène contemporaine : quelles voies dramaturgiques ? », HAL-SHS : littérature, ID : 10.4000/recherchestravaux.5173
Métriques
Partage / Export
Résumé
This contribution aims at presenting the difficulties that arise from the integration of immersive technologies into the theatrical form. We will focus on the narrations implemented in these shows: can a new device lead to the emergence of new dramaturgies? The contribution proposes to answer this question on the basis of the analysis of three recent projects: L.I.L.I Alix Wonderlands, by collectif Or NOrmes (2018), Les Falaises de V., by Laurent Bazin (2017) and Kant, by Émilie Anna Maillet (2016).These three projects make different dramaturgical choices: the adaptation of a non-dramatic text, the writing of an original screenplay and the transmedia storytelling. What possibilities these choices are able to open up, and what are their limits?