Études britanniques contemporaines

Collection description

Description
  • Études britanniques contemporaines est portée par la Société d’Études Anglaises Contemporaines. La revue étudie la littérature et, plus généralement, la culture du Royaume-Uni, du début de 1914 à nos jours. Elle se concentre sur le roman, le théâtre et la poésie, mais aussi les arts britanniques des époques modernistes et contemporaines. Elle est publiée en anglais et en français.
Identifier

10670/2.1eorx4

ISSN
Organization

OpenEdition

Discipline

Literature (396) Art and art history (18) Linguistics (17) History (10) Philosophy (8) Musicology and performing arts (8) Gender studies (6) Geography (4) Religions (2) Communication sciences (2) History, Philosophy and Sociology of Sciences (2) Law (2) Sociology (1) Political science (1) Cultural heritage and museology (1) Education (1) Architecture, space management (1) Archaeology and Prehistory (1)

Type

Articles (397) Reviews (75) Periodicals (26)

Authors

Date

498 documents
Glorious Bastards: The Praise of Impurity in E.M. Forster’s Howards End
Christian Gutleben (Apr 21, 2020)
Against the Norm: Exception as a Disruptive Force in Rebecca West’s The Return of the Soldier (1918)
Alice Borrego (Apr 21, 2020)
‘Psychoanalytic Receptions of Woolf’s Vision of Androgyny: Feminist Uses of Ambivalence?’
Marie Allègre (Apr 21, 2020)
Fades to Black, Slow Motion and Mismatch—Connection and Disconnection in the Editing of James Ivory’s Howards End (1992)
Christophe Gelly (Apr 21, 2020)
“Literature’s exception(s)”, E.M. Forster, V. Woolf
Marie Allègre et al. (Apr 21, 2020)
Technology and Formal Innovation in the Contemporary Novel: the Goldsmiths Prize
Mark Davies (Apr 21, 2020)
Non-census feminism?—Ethel Smyth, Virginia Woolf and the ‘Burning of Votes Boats, etc.’
Claire Davison (Apr 21, 2020)
SETZ, Cathryn. Primordial Modernism: Animals, Ideas, transition (1927-1938)
Julie Bénard (Apr 21, 2020)
‘Quem fugis’: The Poetics of Arrested Flight in ‘Other Kingdom’ and Howards End
Marie Laniel (Apr 21, 2020)
Peacock and Vine by A. S. Byatt: An Auctorbiography
Emilie Walezak (Apr 21, 2020)
BERNARD, Catherine. Matière à réflexion : Du corps politique dans la littérature et les arts visuels britanniques contemporains
Sylvie Maurel (Apr 21, 2020)
Pat Barker’s The Silence of the Girls and the State of Exception
Catherine Lanone (Apr 21, 2020)
Readjustment and Reaccentuation: What Ruth Prawer Jhabvala’s Screenplay Reveals about James Ivory’s Film Adaptation of Howards End
Dennis Tredy (Apr 21, 2020)
Introduction
Nicolas Pierre Boileau (Apr 21, 2020)
A Room of One’s Own’s (Resistance to) Feminist Interpretations and Feminism
Valérie Favre (Apr 21, 2020)
Kate Atkinson’s Crime Fiction: Exception as a Rule
Armelle Parey (Apr 21, 2020)
Exceptionality and Commonality in Jackie Kay’s Trumpet
Justine Gonneaud (Apr 21, 2020)
Woolf’s Exploration of —Combinations: Feminism in Night and Day
Nicolas Pierre Boileau (Apr 21, 2020)
The Hapax of Mourning: Ali Smith’s Aesthetics of Exception in Artful (2012)
Héloïse Lecomte (Apr 21, 2020)
Introduction
Catherine Lanone et al. (Apr 21, 2020)
Hauntings in James Ivory’s Howards End
Jean-François Baillon (Apr 21, 2020)
Alison Case’s Nelly Dean (2016): An Exceptional Neo-Victorian Novel?
Isabelle Roblin (Apr 21, 2020)
Introduction: Literature’s Exception(s)
Catherine Bernard (Apr 21, 2020)
Of Dust and Rubber: Rereading Howards End
Andrew Thacker (Apr 21, 2020)
DE BONT, Leslie. Le modernisme singulier de May Sinclair
Florence Marie (Mar 1, 2020)

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