Études britanniques contemporaines

Collection description

Description
  • Études britanniques contemporaines est portée par la Société d’Études Anglaises Contemporaines. La revue étudie la littérature et, plus généralement, la culture du Royaume-Uni, du début de 1914 à nos jours. Elle se concentre sur le roman, le théâtre et la poésie, mais aussi les arts britanniques des époques modernistes et contemporaines. Elle est publiée en anglais et en français.
Identifier

10670/2.1eorx4

ISSN
Organization

OpenEdition

Discipline

Literature (415) Linguistics (20) Art and art history (19) Philosophy (12) History (10) Musicology and performing arts (8) Gender studies (7) Geography (4) Religions (3) History, Philosophy and Sociology of Sciences (3) Law (3) Communication sciences (2) Archaeology and Prehistory (2) Sociology (1) Political science (1) Cultural heritage and museology (1) Education (1) Architecture, space management (1)

Type

Articles (419) Reviews (83) Periodicals (28)

Authors

Date

530 documents
Susana Onega et Jean-Michel Ganteau (eds.), Transcending the Postmodern: The Singular Response of Literature to the Transmodern Paradigm
Justine Gonneaud (Dec 1, 2020)
Iris Murdoch’s ‘Negative Capability’ and the Question of Influence
Peter J. Conradi (Dec 1, 2020)
Vanessa Guignery, Julian Barnes from the Margins: Exploring the Writer’s Archives
Peter Childs (Dec 1, 2020)
Post-Existentialist Moments: Murdoch and Highsmith
Sabina Lovibond (Dec 1, 2020)
The Misfortunes of a Word-Watcher: A Reading of Iris Murdoch’s A Word Child
Layla Raïd (Dec 1, 2020)
Iris Murdoch and the Ethical Imagination: Legacies and Innovations
Peter Childs et al. (Dec 1, 2020)
‘If I could have given Willy my full attention this morning’: Ethics as Perceptive Attention in Iris Murdoch’s The Nice and the Good
Jean-Michel Ganteau (Dec 1, 2020)
Anti-Nausea: Iris Murdoch and the Natural Goodness of the Natural World
Frances White (Dec 1, 2020)
The Scrambled Script: Contingency and Necessity in Iris Murdoch’s The Green Knight
Peter Mathews (Dec 1, 2020)
Iris Murdoch and the Chime of More than One Bell: Ethical Imagination and Attention to Voices
Cornelius Crowley (Dec 1, 2020)
Maria Flora Luísa, Michaela Schwarz S.G. Henriques and Randall Stevenson, eds. In Remembrance of the Great War: Re-Working Myths, Anglo Saxonica. Series III 16
Katia Marcellin (Dec 1, 2020)
Interiority and Idiosyncrasy, Two Kinds of Privacy in Murdoch’s Conception of Mental Life
Annalisa Paese (Dec 1, 2020)
Introduction
Camille Fort et al. (Dec 1, 2020)
Hancock Caroline, edited by Helen Luckett, Joanna Drew and the Art of Exhibitions
Charlotte Gould (Dec 1, 2020)
On Dogs and Good: Iris Murdoch’s Animal Imagination
La Cassagnère Mathilde (Dec 1, 2020)
Murdoch after Postmodernism: Metafiction, Truth, and the Aesthetic of Presence in The Black Prince
Christian Moraru (Dec 1, 2020)
Loving by Instinct: Environmental Ethics in Iris Murdoch’s The Sovereignty of Good and Nuns and Soldiers
Lucy Oulton (Dec 1, 2020)
L’inquiétante étrangeté du langage dans Riddley Walker de Russell Hoban
Sandrine Sorlin (Sep 28, 2020)
Glorious Bastards: The Praise of Impurity in E.M. Forster’s Howards End
Christian Gutleben (Apr 21, 2020)
Against the Norm: Exception as a Disruptive Force in Rebecca West’s The Return of the Soldier (1918)
Alice Borrego (Apr 21, 2020)
‘Psychoanalytic Receptions of Woolf’s Vision of Androgyny: Feminist Uses of Ambivalence?’
Marie Allègre (Apr 21, 2020)
Fades to Black, Slow Motion and Mismatch—Connection and Disconnection in the Editing of James Ivory’s Howards End (1992)
Christophe Gelly (Apr 21, 2020)
“Literature’s exception(s)”, E.M. Forster, V. Woolf
Marie Allègre et al. (Apr 21, 2020)
Technology and Formal Innovation in the Contemporary Novel: the Goldsmiths Prize
Mark Davies (Apr 21, 2020)
Non-census feminism?—Ethel Smyth, Virginia Woolf and the ‘Burning of Votes Boats, etc.’
Claire Davison (Apr 21, 2020)

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