Cahiers victoriens et édouardiens

Collection description

Description
  • Fondée en 1974, Cahiers victoriens et édouardiens est une publication d'EMMA, centre de recherche de l’université Montpellier 3, dont le champ d’étude couvre la littérature, les arts et la culture britanniques de la période 1837-1914.
Identifier

10670/2.3hytc3

ISSN
Organization

OpenEdition

Discipline

Literature (397) History (62) Art and art history (41) Religions (14) History, Philosophy and Sociology of Sciences (13) Musicology and performing arts (12) Linguistics (11) Gender studies (10) Classical studies (5) Sociology (4) Political science (3) Philosophy (3) Geography (3) Architecture, space management (3) Social Anthropology and ethnology (3) Communication sciences (2) Management (1) Environmental studies (1) Education (1) Economies and finances (1) Law (1)

Type

Articles (296) Reviews (229) Periodicals (23)

Authors

Date

548 documents
‘Why is it that a photograph always looks clear and sharp, — not at all like a Turner?’ John Ruskin & Perceptual Aberration
Lawrence Gasquet (Jun 1, 2020)
Barrès contre Ruskin
Jessica Desclaux (Jun 1, 2020)
Repenser le patrimoine, hier et aujourd’hui. Le génie de John Ruskin
Jérôme Bastianelli (Jun 1, 2020)
John Ruskin, William Morris and Walter Pater: From Nature to Musical Harmony in the Decorative Arts
Martine Lambert-Charbonnier (Jun 1, 2020)
Mediating Ruskin. An interview with George Landow, Spring 2019
Laurence Roussillon-Constanty (Jun 1, 2020)
The Homosexual Exception? The Case of the Labouchère Amendment
William Fize (Jun 1, 2020)
Ryuzo Mikimoto and the Ruskin ‘Relics’ Exhibitions of 1926, 1931 and 1933
Haruka Miki (Jun 1, 2020)
‘Modern gardeners’ with Rustic Ideals: Fruitful Congruencies between John Ruskin and William Robinson
Aurélien Wasilewski (Jun 1, 2020)
Haggard’s Use of the Phoenician Analogy with Britain
John Coates (Jun 1, 2020)
Embracing and Rejecting the Ruskinian Heritage in Wilde’s Aesthetic Theories
Carole Delhorme (Jun 1, 2020)
Proust’s Ruskin: From Illustration to Illumination
Emily Eells (Jun 1, 2020)
Se souvenir du tribun et de l’apôtre. John Ruskin par son traducteur Émile Cammaerts (1878-1953)
Julie Lageyre (Jun 1, 2020)
Mediating Ruskin/Colloque SFEVE, Pau, 8-9 février 2019
Sara Atwood et al. (Jun 1, 2020)
Mediating Ruskin: ‘Through a Kaleidoscope, Brightly’
Fabienne Gaspari et al. (Jun 1, 2020)
‘Over-hopefulness and getting-on-ness’: Ruskin, Nature, and America
Sara Atwood (Jun 1, 2020)
French Beliefs: Walter Pater and Contemporary French Fiction
Bénédicte Coste (Feb 27, 2020)
Exploiting Body and Place in Thomas Hardy’s Tess of the d’Urbervilles
Catherine Lanone (Feb 7, 2020)
‘Queer Reverence’: Aubrey Beardsley’s Venus and Tannhäuser
Nicole Fluhr (Feb 7, 2020)
‘For God’s Sake Look at This!’: Physiognomy in Bleak House
Michael Hollington (Feb 7, 2020)
Lizzie Harris McCormick, Jennifer Mitchell, and Rebecca Soares (eds.). The Female Fantastic: Gendering the Supernatural in the 1890s and 1920s
Sophie Geoffroy (Feb 7, 2020)
Robert Louis Stevenson. Œuvres III : Veillées des îles – Derniers romans, dir. Charles Ballarin et Marc Porée, trad. Laurent Bury et al.
Julie Gay (Feb 7, 2020)
Science et Fiction
Annie Escuret (Feb 7, 2020)
La convergence des destins chez Thomas Hardy
Annie Ramel (Feb 7, 2020)
‘Making audible to one a roar of sound where others find perfect stillness’: Soundscape in George Eliot’s The Lifted Veil and the physiological acoustics
Lilia Miroshnychenko (Feb 7, 2020)
Medical (Mal)Practice and the Illusion of Progress in Edward Berdoe’s St Bernard’s: The Romance of a Medical Student and Leonard Graham’s The Professor’s Wife: A Genealogical Analysis of Epistemological and Ethical Arguments in Two Late-Victorian Novels
Adrian Tait (Feb 7, 2020)

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