Dressing the new world

Collection description

Description

What effect did the successful marketing of European products have on the New World at the beginning of the 18th century? And how should one go about studying the European fashion and textiles that transformed the way people dressed in the Spanish colonies?

Identifier

Organization

Discipline

History (12) Art and art history (6) Sociology (1) Management (1) Archaeology and Prehistory (1)

Type

Blog posts (35)

Authors

Corinne Thepaut-Cabasset

Date

35 documents

"L" for Lace: Thinking about Lace. Michael Yonan, Associate Professor of Eighteenth and Nineteenth Century Art, Director of Graduate Studies, University of Missouri

Corinne Thepaut-Cabasset (Jun 22, 2016)

“Y” for Yellow Moiré silk Dress. Laura G. García-Vedrenne, M Phil student in Textile Conservation, Centre for Textile Conservation, University of Glasgow

Corinne Thepaut-Cabasset (Nov 21, 2016)

"R" for Refashioning Fashion Plates in Early Modern Europe. Pascale Cugy & Corinne Thépaut-Cabasset

Corinne Thepaut-Cabasset (Oct 27, 2016)

“I” is for Identity: Clothing and Identity at the Presidio de San Francisco in the New Spanish World. Candice Ward, MA Student, California State University

Corinne Thepaut-Cabasset (Feb 28, 2018)

“T” is for Cumbi Tapestries: Peruvian Textiles in the Spanish Colonial Home. Julia McHugh, Douglass Foundation Fellow in American Art, The Metropolitan Museum of Art, New York

Corinne Thepaut-Cabasset (Dec 20, 2017)

"F" for Fan: Fashionable fans. PhD Georgina Letourmy-Bordier, Fan Expert

Corinne Thepaut-Cabasset (Jul 4, 2016)

“E” for Embroidery: Mission Style in Alta California. Mariachiara Gasparini, Adjunct Lecturer, Art & Art History department, Santa Clara University, California

Corinne Thepaut-Cabasset (Sep 21, 2016)

"G" for Garters:

Corinne Thepaut-Cabasset (Aug 3, 2016)

Dressing the new World: The Trade and the Culture of Clothing in the New Spanish Colonies 1600-1800.

Corinne Thepaut-Cabasset (Jan 18, 2016)

"A" for Appearance: The Culture of Clothing. “The Art of Tailoring”

Corinne Thepaut-Cabasset (Jun 20, 2016)

"R" for Recycling Brocaded Silk, from Profane to Sacred. Bernard Berthod, Dr ès Lettres, Curator Musée de Fourvière (Lyon), Vice-Chair of ICOM-Costume Committee

Corinne Thepaut-Cabasset (Jan 16, 2017)

"M" is for Mantón de Manila: Spanish shawls of Asian origin and cross-cultural design influences. Laura Beltran-Rubio, MA Fashion Studies, Parsons School of Design, New York City (USA)

Corinne Thepaut-Cabasset (Jul 6, 2018)

“F” for fans made of feathered-flowers, birds and insects. Exoticism and frivolity in the consumption of fashionable objects traded between the New World and the Old World. Maria Cristina Volpi, Associate Professor School of Fine Arts, University of Rio de Janeiro (Brazil)

Corinne Thepaut-Cabasset (Nov 21, 2017)

"T" for Traditional Mexican Woman Dress called: Huipil. Lena Bjerregaard, Conservator, Guest Researcher, Centre for Textile Research/SAXO Institute, University of Copenhagen

Corinne Thepaut-Cabasset (Dec 20, 2016)

“H” for Headdress: The Gandaya, a colourful silk knitted bonnet in Global-Spain. Victoria de Lorenzo, MA alumni at the Royal College of Art/Victoria and Albert Museum, London

Corinne Thepaut-Cabasset (Nov 4, 2016)