Dressing the new world

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Description
  • What effect did the successful marketing of European products have on the New World at the beginning of the 18th century? And how should one go about studying the European fashion and textiles that transformed the way people dressed in the Spanish colonies?
Identifiant

10670/2.7mwf6s

Discipline

Histoire (12) Art et histoire de l'art (6) Sociologie (1) Gestion et management (1) Archéologie et Préhistoire (1)

Type de document

Billets de blog (33)

Auteurs

Date

33 résultats
“Y” for Yellow Moiré silk Dress. Laura G. García-Vedrenne, M Phil student in Textile Conservation, Centre for Textile Conservation, University of Glasgow
Corinne Thepaut-Cabasset (21 nov. 2016)
“F” for Spanish Fashion: Fashion in Las Meninas by Velázquez in 17th century Spain. Amalia Descalzo Lorenzo, Professor of Culture and Fashion at ISEM Fashion Business School, Universidad de Navarra, Madrid
Corinne Thepaut-Cabasset (23 juin 2017)
“F” for Feather: Pre Hispanic Feather Textiles from Peru, Lena Bjerregaard, Centre for Textile Research, SAXO Institute, University of Copenhagen (Denmark)
Corinne Thepaut-Cabasset (20 juil. 2017)
“M” for MANTA. Lena Bjerregaard, Conservator, Guest Researcher, Centre for Textile Research/SAXO Institute, University of Copenhagen
Corinne Thepaut-Cabasset (1 déc. 2016)
“E” for Embroidery: Mission Style in Alta California. Mariachiara Gasparini, Adjunct Lecturer, Art & Art History department, Santa Clara University, California
Corinne Thepaut-Cabasset (21 sept. 2016)
“I” is for Identity: Clothing and Identity at the Presidio de San Francisco in the New Spanish World. Candice Ward, MA Student, California State University
Corinne Thepaut-Cabasset (28 févr. 2018)
"T" for Trade: 18th century Handkerchiefs – The Swedish East India Company Trade. Viveka Hansen, Textile Historian, The IK Foundation, (UK)
Corinne Thepaut-Cabasset (21 mai 2017)
Dressing the new World: The Trade and the Culture of Clothing in the New Spanish Colonies 1600-1800.
Corinne Thepaut-Cabasset (18 janv. 2016)
“F” for fans made of feathered-flowers, birds and insects. Exoticism and frivolity in the consumption of fashionable objects traded between the New World and the Old World. Maria Cristina Volpi, Associate Professor School of Fine Arts, University of Rio de Janeiro (Brazil)
Corinne Thepaut-Cabasset (21 nov. 2017)
“S” for Shoes: A gendered shoe from 17th century-Copenhagen. Vivi Lena Andersen, Curator and Archaeologist at the Museum of Copenhagen, Denmark
Corinne Thepaut-Cabasset (22 janv. 2017)
“L” for Lace: The variation of Taxation Schemes for Lace Import in the Ancien Regime. Marguerite Coppens, Honorary Curator Musées royaux d’Art et d’Histoire, Brussels. Honorary Chair of the French Association of Textiles Studies (AFET), Paris
Corinne Thepaut-Cabasset (16 févr. 2017)
"L" for Lace: Thinking about Lace. Michael Yonan, Associate Professor of Eighteenth and Nineteenth Century Art, Director of Graduate Studies, University of Missouri
Corinne Thepaut-Cabasset (22 juin 2016)
"R" for Refashioning Fashion Plates in Early Modern Europe. Pascale Cugy & Corinne Thépaut-Cabasset
Corinne Thepaut-Cabasset (27 oct. 2016)
The Trade in the New Spanish Colonies (1600-1800)
Corinne Thepaut-Cabasset (30 mars 2016)
"F" for Fan: Fashionable fans. PhD Georgina Letourmy-Bordier, Fan Expert
Corinne Thepaut-Cabasset (4 juil. 2016)

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