La célébration des oeuvres d'art

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1975

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MESR

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Copyright PERSEE 2003-2023. Works reproduced on the PERSEE website are protected by the general rules of the Code of Intellectual Property. For strictly private, scientific or teaching purposes excluding all commercial use, reproduction and communication to the public of this document is permitted on condition that its origin and copyright are clearly mentionned.



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Louis Marin, « La célébration des oeuvres d'art », Actes de la Recherche en Sciences Sociales, ID : 10.3406/arss.1975.2482


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Die Hochpreisung der Kunstwerke. Dieser Artikel untersucht die Illokutions- und Perlokutionswerte eines Textes der "Kunstliteratur". Als besonderes Beispiel dient der Katalog der Kubismusausstellung in Paris und Bordeaux im Jahre 1973. Der Artikel soll dabei aufzeigen, dass der Ausstellungskatalog ein mittem ist, das dazu dient, eine bestimmte Vorstellung und ein Bild des Kunstwerke zu legitimieren und zwingend darzustellen, wenn eine Kunstperiode geographish, historish und politisch abgeschlossen ist. Diese Bild und dieseVorstellung dient realen politischen Absichten, verleugnet diese aber gloichseitig und lonkt sie zum Nutzen der realen und symbolishen Interessen einer herrschenden Gruppe um, die aus den verschidenen "Beamten" der Kunstinstitutionen besteht (Museen, Kunstgalerien, private Sammlungen, kunstkritik und Kunstgeschichte).

The celebration of works of art. This article consists of study of particular example of art literature : the catalogue of the exposition "Les Cubistes" which took pla.ce in 1973 in Paris and Bordeaux .This study attempts to show how, in a given geographical, political and historical situation, the catalogue of an exposition constitutes means of inculcating and rendering legitimate a certain conception or defined image of a "work of art". In this intent, the catalogue is all the more effective since it does not appear to be means to this end. The conveyed image or conception serves actual political intentions while, at the same time, it disguises and conceals them. The catalogue is also oriented to the advantage of the real and symbolic interests of a dominating group of agents composed of divers administrators of artistic institution (museums, galaries, private collections, art critics and historians). all represent one variant of sacerdotal propheti- cism This propheticism is actually stategy of symbolic domination that philosophy previously dominating discipline has produced in order to maintain its domination by treating scholastic rea ding of sacred texts as contribution to science all represent one variant of sacerdotal propheticism. This propheticism is actually a strategy of symbolic domination, that philosophy (previously a dominating discipline) has produced in order to maintain its domination by treating scholastic reading of sacred texts as contribution to science.

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