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September 19, 2014
This document is linked to :
info:eu-repo/semantics/reference/issn/2427-920X
This document is linked to :
info:eu-repo/semantics/reference/issn/2100-1340
info:eu-repo/semantics/openAccess , https://creativecommons.org/licenses/by-nc-nd/4.0/
Keywords
novel historical novel reception libertinage 18th century literature roman historique réception libertinage création romanesque littérature du dix-huitième siècleSimilar subjects
Legends and stories Novels Stories World literature Western literature (Western countries) Belles-lettres Libertinage Biblical cosmogony Creación (Teología) Lecture en langue maternelle Lecture en langue seconde Genre romanesque Fiction (littérature) Littérature romanesque Récits Romans Oeuvres littéraires Littérature universelle Belles-lettres Libertins (moeurs et coutumes) Libertinage (moeurs et coutumes) Conduite libertine Création du monde Création divineCite this document
Anne Coudreuse, « Chantal Thomas lectrice de Sade », Itinéraires, ID : 10.4000/itineraires.693
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Abstract
Does the way one reads Sade evolve according to whether one reads it from an academic standpoint or from the point of view of fictional creation? Focusing on the work of Chantal Thomas, a renowned specialist of the 18th century who has turned to writing historical novels, this article attempts to show how each of these positions can, in a sense, challenge the other, as though the novel revealed the “unthought” side of a more academic reading of Sade’s writings.
