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July 20, 2024
- doi: 10.4000/122dx
This document is linked to :
info:eu-repo/semantics/reference/issn/2647-6754
This document is linked to :
info:eu-repo/semantics/reference/issn/1164-6225
info:eu-repo/semantics/openAccess , https://creativecommons.org/licenses/by/4.0/
Keywords
Spencer (Stanley) portrait Pline l’Ancien Grande-Bretagne Hogarth (William) Lawrence (Thomas) Reynolds (Joshua) Gainsborough (Thomas) Millais (John Everett) Mercier (Philip) Watts (George Frederic) Titien Keppel (Augustus) Leighton (Frederic) Poynter (Edward) Milton (John) manuel de dessin Spencer (Stanley) portrait drawing manuals Pliny the Elder Hogarth (William) Lawrence (Thomas) Reynolds (Joshua) Gainsborough (Thomas) Millais (John Everett) Mercier (Philip) Watts (George Frederic) Titian Keppel (Augustus) Leighton (Frederic) Poynter (Edward) Milton (John) Great BritainSimilar subjects
PortraitureCite this document
Muriel Adrien et al., « British Portraiture from 1750 », Interfaces, ID : 10.4000/122dx
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Abstract
This guest-edited issue of Interfaces originated in the international conference on British portraiture that took place in Bordeaux in September 2021 as a result of the collaboration between the University of Toulouse Jean Jaurès (C.A.S.), the University of Bordeaux Montaigne (C.L.I.M.A.S.), the Musée du Louvre and the Fine Arts Museum of Bordeaux (MusBA Bordeaux). It explores portraiture as an artform that gained prominence in Britain in the 18th century, and extended beyond its geographica...
