20 juin 2017
https://www.openedition.org/12554 , info:eu-repo/semantics/openAccess
Mary Condé, « The “almost bitter murmur” in Rudolph Fisher’s The Conjure Man Dies », Presses universitaires François-Rabelais, ID : 10.4000/books.pufr.5778
Rudolph Fisher, in The Conjure Man Dies (1932), does not treat the traditional African American motif of passing, although he does treat disguise. Very unusually for a text of this period, he manages to integrate a highly developed degree of African American consciousness into a very accomplished detective story.