Māori Cultural and Bodily Rebirth in Alan Duff’s Once Were Warriors Trilogy

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21 janvier 2022

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Ce document est lié à :
info:eu-repo/semantics/reference/issn/2270-0633

Ce document est lié à :
info:eu-repo/semantics/reference/issn/2534-6695

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https://creativecommons.org/licenses/by-nc-nd/4.0/ , info:eu-repo/semantics/openAccess




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Laura Singeot, « Māori Cultural and Bodily Rebirth in Alan Duff’s Once Were Warriors Trilogy », Commonwealth Essays and Studies, ID : 10.4000/ces.10327


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This article examines what happens in Alan Duff’s trilogy, Once Were Warriors (1990-2002), to the Western novelistic device of individualisation of characters that takes its roots in the European Renaissance. In Duff’s novels, the development of characters is reconfigured through their relation to others as they experience a form of cultural and bodily rebirth in their own community. The trilogy thus offers an alternative to traditional Western characterisation, by deploying other ways of constructing subjectivity.

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