Failing to Place Confrontation: The Car as “Void” in Jump

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5 novembre 2019

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info:eu-repo/semantics/reference/issn/2270-0633

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info:eu-repo/semantics/reference/issn/2534-6695

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https://creativecommons.org/licenses/by-nc-nd/4.0/ , info:eu-repo/semantics/openAccess



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Kerry-Jane Wallart, « Failing to Place Confrontation: The Car as “Void” in Jump », Commonwealth Essays and Studies, ID : 10.4000/ces.428


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Whereas moments of miscommunication stud the collection Jump, this article proposes to read five such misfiring encounters between whites and non-whites, in “What Were You Dreaming?” “Comrades,” “Keeping Fit,” “The Moment Before the Gun Went Off,” and “Spoils,” through a close examination of the spatial configurations where a confrontation can happen (and fail). In all five short stories the situation of racial inequality is mediated through banal elements: the car, food/drink, and the delivering of a testimony. I will connect these elements to the unresolved opposition cast by Agamben between bios, the political life, and zoe, the biological life. I argue that in these confrontation scenes the “others” are excluded through their very inclusion, but that they are also recognized as a political presence in the privileged site of vehicles functioning in the text as correlatives of what Agamben describes as a “void” in social spaces.

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