6 janvier 2020
Ce document est lié à :
info:eu-repo/semantics/reference/issn/2270-0633
Ce document est lié à :
info:eu-repo/semantics/reference/issn/2534-6695
https://creativecommons.org/licenses/by-nc-nd/4.0/ , info:eu-repo/semantics/openAccess
Jaine Chemmachery, « Mutations of the “Mutiny novel”: From Historical Fiction to Historical Metafiction and Neo-Victorianism », Commonwealth Essays and Studies, ID : 10.4000/ces.741
This article aims to offer a limited panorama of the novels that compose the genre of Mutiny fiction and to analyse its mutations through time. By tracing the generic origins of the Mutiny novel and analysing how it variously draws on the chivalrous tradition, the Gothic, and other genres (adventure fiction, romance, and melodrama, among others), I would like to show that the various examples of the Mutiny novel genre have often been used to promote imperial values, or to criticise the Empire retrospectively, as Flaminia Nicora’s work has shown, but also that these novels have continuously responded to historical events. My contention is that the Mutiny motif has been instrumental in building a historical narrative of England and that its continued presence merits being studied.