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14 décembre 2012
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Jean-Claude Marcadé, « Dada 2005 », Critique d’art, ID : 10.4000/critiquedart.1213
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Is Dada one modern moment among others, part of the alternation of the old and the modern (new) that has been Europe’s artistic rhythm since the early 15th century, or is it part of the historic avant-garde of the 20th century (or, roughly, its first quarter)? It’s a serious question, because the organisers of the big Dada exhibition at the Musée National d’Art Moderne aimed to show that Dada was the biggest, if not the only genuine avant-garde of the last century; and also, because an author...