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14 décembre 2012
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Christophe Kihm, « What Documents Permit », Critique d’art, ID : 10.4000/critiquedart.1254
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Along with archives, which they are often associated with, documents have a central place in exhibitions, as they do in present-day contemporary art publications. The aim of the books here considered is not to shed light on this huge mnemonic turning-point which seems to have taken hold of art praxis and art discourse since the beginning of this third millennium, even if the contributions of some of their authors pinpoint circumstantial (post 9/11) and technical (the digital age) factors whic...