29 avril 2014
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Elitza Dulguerova, « Re-exhibition Stories », Critique d’art, ID : 10.4000/critiquedart.13483
The existence of the history of exhibitions as a discipline needs no further demonstration. Publications which started to appear in the early 1990s have been growing in number for a good ten years, as have specialized magazines. Nor is the institutional field being outdone: publishing house are inaugurating collections, museums are launching self-reflective research programmes, and universities and art schools are offering courses focusing on the study and practice of exhibitions—something th...