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22 mai 2017
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Riccardo Venturi, « The Sensitive Screen Beyond Cinema », Critique d’art, ID : 10.4000/critiquedart.25609
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1. To mark the Alain Fleischer retrospective at the Maison européenne de la photographie in Paris in 2003 (La Vitesse d’évasion), Hubert Damisch returned to his Ecrans sensible [Sensitive Screens] (1993-1994). The first part of the installation was quite familiar: the projection of moving images onto a “screen-like” surface, in continuity with the transformation of the museum’s rooms into screening rooms, and of the projected images into exhibited images. From a post-cinematographic angle bey...