9 décembre 2020
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Per Kværne, « Henrion-Dourcy Isabelle, Le théâtre ache lhamo. Jeux et enjeux d’une tradition tibétaine », Études mongoles et sibériennes, centrasiatiques et tibétaines, ID : 10.4000/emscat.4167
Seldom indeed is it appropriate to use the term “definitive work”. In the case of this massive volume, the fruit of ten years of focused research by the Belgian anthropologist Isabelle Henrion-Dourcy, it is entirely justified. It is more than unlikely that it will be replaced by a similar work in the future, for several reasons, the most important one being that the performance of Tibetan “opera” (ache lhamo or lhamo), in its traditional, i.e. pre-1959 form – the subject of her book – would n...