Desmond Manderson, Danse Macabre: Temporalities of Law in the Visual Arts

Fiche du document

Date

20 décembre 2019

Discipline
Type de document
Périmètre
Langue
Relations

Ce document est lié à :
info:eu-repo/semantics/reference/issn/1760-7507

Organisation

OpenEdition

Licences

All rights reserved , info:eu-repo/semantics/openAccess



Citer ce document

Anne Brunon-Ernst, « Desmond Manderson, Danse Macabre: Temporalities of Law in the Visual Arts », Revue d’études benthamiennes, ID : 10.4000/etudes-benthamiennes.5333


Métriques


Partage / Export

Résumé 0

“Every culture is first and foremost a particular experience of time” Giorgio Agamben, History and Infancy: the Destruction of Experience, trans. Liz Heron, Verso, 1993, p. 91 Desmond Manderson’s book, Danse Macabre, is an essential read which reminds us that “the visual and spectacular are indispensable elements of how we come to know and are known by politics, law, and regulation” (p. 16). It presents remarkable research on visual representations of the law, achieving the difficult task of ...

document thumbnail

Par les mêmes auteurs

Sur les mêmes sujets

Sur les mêmes disciplines

Exporter en