“Showing Time”: the Ephemeral Made Sublime

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Date

27 janvier 2022

Discipline
Type de document
Périmètre
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Hybrid

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Ce document est lié à :
info:eu-repo/semantics/reference/issn/2276-3538

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OpenEdition

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https://creativecommons.org/licenses/by-sa/4.0/ , info:eu-repo/semantics/openAccess




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Nicole Denoit, « “Showing Time”: the Ephemeral Made Sublime », Hybrid, ID : 10.4000/hybrid.1153


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Considering what in the notion of heritage —whose expansion and success are now considerable— essentially defines it, namely something that one wishes to pass on, something that stands the test of time, we will question this contemporary passion for the ephemeral expressed by both artists and their audience. The approach adopted by some of Ernest Pignon-Ernest’s and Klaus Pinter’s major works will clarify the potential esthetic materialization of the disturbing oxymoron that we are to study, namely “ephemeral heritages.”

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