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21 janvier 2013
- doi: 10.4000/yod.675
Ce document est lié à :
info:eu-repo/semantics/reference/issn/0338-9316
Ce document est lié à :
info:eu-repo/semantics/reference/issn/2261-0200
https://creativecommons.org/licenses/by-nc/4.0/ , info:eu-repo/semantics/openAccess
Mots-clés
Tsimtsoum kabbale Luria Isaac (1534-1572) Zohar création langue langage poétique réparation Tiqoun poésie hispanique Zambrano María (1904 –1991) Jonas Hans (1903 –1993) Tsimtsoum Luria Isaac Zohar Tiqoun Zambrano María (1904 –1991) Jonas Hans (1903 –1993) Kabbalah creation language poetic language atonement philosophy הצמצום יצחק לוריא זוהר קבלה תיקון הנס ג'ונאס יצירה שפה השפה השירית כפרה היספני שירה פילוסופיהSujets proches
Biblical cosmogonyCiter ce document
Martín Ortega Elisa, « La fracture : amour et réparation », Yod, ID : 10.4000/yod.675
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Résumé
The Kabbalah tries to explain the existence of suffering and evil by introducing new details in the myth of Creation. Isaac Luria’s school created the concepts of /Tsimtsum/ (contraction), /Shevirat kelim /(breaking of vessels) or /Tikun olam /(World restoration) in order to focus on the imperfection of Creation and to highlight human responsibility towards the world, as the man is considered God’s allied in the restoration. These ideas have drawn the attention of a group of contemporary Hispanic poets, who have put them in the context of their own creative experience. They could help the contemporary world develop a reflection on human responsibility towards the threatened nature.